remixable

Blender 2.63 released

Fri, 27 Apr 2012 20:35:00 GMT

Blender 2.63 release candidates available

Fri, 20 Apr 2012 10:23:00 GMT

Uniquely Singapore

Sun, 15 Apr 2012 14:07:10 GMT

When He Is Home Alone

Sun, 01 Apr 2012 08:05:44 GMT

Google Summer of Code 2012

Mon, 26 Mar 2012 18:41:00 GMT

The Lair Of The Yellow Tigers

Sun, 18 Mar 2012 12:23:44 GMT

Transmedia Talk 41: The Year in Review, Part 2

Fri, 16 Mar 2012 15:37:43 GMT

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Michael Andersen of ARGNet returns to the podcast discuss transmedia in the second half of 2011. It was the year so nice, we had to review it twice!

Hosts:
Nick Braccia from Culture Hacker
Dee Cook from Dog Tale Media
Robert Pratten from Transmedia Storyteller

Special Guests:

Michael Andersen, editor of ARGN.com.

A Peek At Little India

Sun, 11 Mar 2012 15:41:26 GMT

Another training DVD: Track, Match, Blend!

Mon, 27 Feb 2012 16:49:00 GMT

New Blender Open Movie training DVD: "Humane Rigging"

Sat, 18 Feb 2012 19:06:00 GMT

Blender 2.62 released

Thu, 16 Feb 2012 17:17:00 GMT

Blender 2.62 Release Candidates

Thu, 09 Feb 2012 17:34:00 GMT

DIY DAYS NYC 2012

Mon, 30 Jan 2012 04:56:39 GMT

DIY DAYS NYC comes to the New School on Saturday March 3rd for a full day of talks, workshops, networking and special set of open design experiences.

Tickets are FREE but space is limited. Registration is NOW OPEN.

***Full speaker list and program coming mid February. We are still looking for projects and speakers. Those interested please send a description of what you’d be interested in sharing to work [@] workbookproject [dot] com

WHEN
Saturday, March 3rd
9:30 registration opens
10:15am to 5:30pm talks, workshops & experiences
6pm to 7:30pm after party / social mixer

WHERE
The New School
66 W 12th St.
New York, NY 10011

WE COULD USE YOUR HELP

We’re looking for volunteers if you’re interested please drop us an email at work [@] workbookproject [dot] com with the subject “volunteer.” Thanks so much!

visit www.diydays.com for more info on past events and upcoming news surrounding DIY DAYS NYC 2012

Topics include

Prototyping the future – tapping technology to tell 21st Century stories
Story Architecture – a primer on how to tell immersive stories that move beyond a single screen
Measuring Engagement – a look at current and emerging ways to measure success
Experiential learning – where storytelling, collaboration, and technology combine to ignite the imaginations of students.
Transmedia and Activism – using storytelling to mobilize and effect social change.
Collaborative Writing – tapping a collaborative process to unlock richer storytelling.
Building Value - a look at collaborating with those formally known as the audience
What are you working on and what do you need? – attendees can take the mic and share what they are working on.
Your Digital Footprint – a look at the realities of data in the 21st Century.
Digital Literacy – a look at how to bridge the digital divide.

Open Design

Those who attend DIY DAYS will be given a unique opportunity to build a collaborative storyworld. The storyworld and the prototyping that is done throughout the day will be released under a creative commons license as well as being prepared as an experiential learning kit. This will be accomplished through a number of special collaborative exercises.

Wish for the Future – the second chapter in a participatory storytelling trilogy, Wish for the Future will provide attendees of DIY DAYS an opportunity to experience an open design process. From collaborative writing, to experience design, to rapid prototyping exercises – attendees will be able to step into an open design process that invites the imagination of many.

World Game – join the Buckminster Fuller Institute as they run a number of World Game simulations. In the 1960’s Buckminster Fuller proposed a “great logistics game” and “world peace game” (later shortened to simply, the “World Game”) that was intended to be a tool that would facilitate a comprehensive, anticipatory, design science approach to the problems of the world. The use of “world” in the title obviously refers to Fuller’s global perspective and his contention that we now need a systems approach that deals with the world as a whole, and not a piece meal approach that tackles our problems in what he called a “local focus hocus pocus” manner. The entire world is now the relevant unit of analysis, not the city, state or nation.
Read More

Time Machine Rooms – a collaboration with Story Pirates will enable a co-created storyworld that is lead by the imagination of elementary school children. The students will represent a voice from the future as well as prototyping a number of inventions from the future.

Writer’s Room – a writer’s room works throughout the day taking in variables from attendees that will impact the creation of an open storyworld that will fuel the end of the day performance.

Rapid Prototyping Room a partnership between Parsons and the Makerbot community will power a rapid prototyping room for those who attend DIY DAYS enabling them to turn ideas about the future into something tangible.

Occupy – step into an open design process around an official OWS conflict resolution application. From paper testing to conflict resolution role playing, participants will be invited into a collaborative design process.

Transmedia Talk 40: Snow Town

Sat, 28 Jan 2012 01:56:07 GMT

Mango Open Movie fundraiser halfway

Sat, 21 Jan 2012 16:53:00 GMT

Transmedia Talk 39: Clockwork Watch

Sat, 21 Jan 2012 03:04:06 GMT

Stop SOPA! Stop BREIN! Stop BUMA-STEMRA! Stop GEMA! Stop HADOPI! Stop...

Tue, 17 Jan 2012 19:36:00 GMT

I'm fully supporting the protests today against the SOPA bill that might get accepted in the USA. With Blender Foundation being established in the Netherlands, I would like to emphasize that similar ideas have either already been established or are being lobbied here and in other European countries.

If you know the abbreviations in the title; keep an eye at these organizations or bills, investigate it well and make up your mind. Your own country will have similar organizations claiming to stand up for rights of artists, but in fact serve the interests of copyright-trolls and wealthy corporations even more.

What's the digital world you want to live in? I don't know all answers, but for sure it shouldn't be the big corporations defining it alone. A wonderful American document begins with "We the people... ". Let's make that true in the 21st century as well.

Ton Roosendaal
Blender Foundation.

(Instead of blackening, i prefer to speak up today :)

Blender E-store expands

Fri, 13 Jan 2012 16:32:00 GMT

The Blender E-store still is the main income source for Blender Foundation, allowing to organize projects in Blender Institute and to hire people for work on Blender (currently 3 developers and myself full-time).

Customers expect from a modern internet store more services than we provided until now though; especially doing faster and more often shipments. To achieve this, we need to expand our product catalog to get a bit higher volumes per shipment.

Per January 1st 2012 we now rent a second small office and storage in the south of Netherlands (Budel) where our shop manager Anja Vugts-Verstappen will be handling the orders, shipping and daily shop support.

Summarized, changes will be:

Shipping at least 3 times per week (monday, wednesday, friday)
More choice in shipping speed (courier, or free shipping, T.B.A.)
Shop open for third party DVD training, we added BlenderCookie titles now.

http://www.blender3d.org/e-shop/default_dvds.php

Publishers interested to resell via our e-store as well can contact me any time!

-Ton-
(ton at blender.org)

Mango Open Movie: fund raiser started!

Fri, 23 Dec 2011 22:38:00 GMT

Blender 2.61 Released

Wed, 14 Dec 2011 16:26:00 GMT

Transmedia Talk 38: Storyworld Conference 2011

Wed, 14 Dec 2011 07:11:03 GMT

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Lucas J.W. Johnson joins the Transmedia Talk crew for a review of StoryWorld Conference 2011.

Hosts:
Nick Braccia from Culture Hacker
Dee Cook from Dog Tale Media
Haley Moore
Robert Pratten from Transmedia Storyteller

Special Guests:

Lucas JW Johnson of Silverstring Media joins us for a recap of the first Storyworld Conference held in San Francisco this Halloween.

From This Episode:

Mickey’s Ten Commandments

ARGFest

ZoeTrap, an ARG created specifically for StoryWorld Conference

Dr. Henry Jenkins’ Confessions of an Aca-Fan

Intel’s Inside Experience

Carrie Cutforth-Young’s article on Canadian transmedia funding

Azrael’s Stop

Transmedia Talk 37: Robot Heart Stories at DIY Days LA

Mon, 12 Dec 2011 17:46:42 GMT

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Janine Saunders, creative producer of Robot Heart Stories, talks with us about how Robot Heart Stories used transmedia strategies to engage underprivileged elementary students in collaborative learning.

Hosts:
Nick Braccia from Culture Hacker
Robert Pratten from Transmedia Storyteller
Haley Moore

(and Host Emeritus Dee Cook from Dog Tale Media)

About the Project

In Robot Heart Stories, two groups of students – one in Montreal (French speaking) and the other in LA (English speaking) – used their developing knowledge of math, science, history, geography and creative writing to get a stranded robot back to her home planet. The robot’s ten-day journey from Montreal to LA culminated in its arrival at DIY Days LA, where we sat down with Janine.

About Our Guest:

Janine Saunders is a creative producer who has worked on Collapsus, Pandemic 1.0, and produced the Workbook Project’s RADAR series. Working with Workbook Project founder Lance Weiler, she was the producer of Robot Heart Stories.

Blender Conference talks on youtube

Mon, 05 Dec 2011 16:38:00 GMT

Testbuild for upcoming release

Sat, 26 Nov 2011 14:36:00 GMT

Transmedia Talk 36: Alison Norrington at DIY Days

Mon, 21 Nov 2011 18:30:00 GMT

Transmedia Talk 35: Henry Jenkins at DIY Days LA

Fri, 11 Nov 2011 00:21:55 GMT

Transmedia Talk 34: SCA Reality

Tue, 08 Nov 2011 03:32:49 GMT

Blender 2.60a update

Mon, 24 Oct 2011 17:13:00 GMT

COWORKING SPACE AT 3RD WARD

Mon, 24 Oct 2011 03:57:46 GMT

New York-based creative professionals take note! Odds are, you’re familiar with 3rd Ward, the massive workspace in Bushwick full of all sorts of resources, supplies and classes for any creative project that interests you, from woodworking to filmmaking. And if not I just told you the gist of it, so there you go.

But aside from being a great place to learn, create, and promote all sorts of great DIY projects, their newest edition now also makes it a great place to work. Dubbed a “coworking space,” it’s a modern, bright, airy office designed for collaborating as well as solo work, full of shared desks, personal workstations, conference rooms, plenty of brand new iMacs, free wifi and printing, and of course, free coffee. All of it’s designed for any smart creative freelancer, startup or telecommuter who wants to have a place to get their work done while networking with other like-minded people. You can even meet clients and have business mail delivered there.

At the heart of all of this, though, is collaboration. The nice thing about 3rd Ward is that it provides the perfect environment for creativity: step inside and you’re surrounded by people in all sorts of different crafts from all sorts of different backgrounds, and everyone has ideas flowing. A graphic designer may not realize they can get inspiration from a welder until it happens, and these sorts of things happen all the time at 3rd Ward.

And of course, we wouldn’t recommend anything unless we’ve seen and experienced it ourselves; 3rd Ward has given Workbook Project a space to shoot at least one RADAR episode, and we also partnered with them for Inside Design as well.

Learn more about the new coworking space HERE.

Release Candidates for 2.60 available

Wed, 05 Oct 2011 16:59:00 GMT

4th Open Movie kick-off: Mango!

Sun, 02 Oct 2011 16:05:00 GMT

Call for screenshots and demo .blend files

Fri, 30 Sep 2011 13:42:00 GMT

Transmedia Talk 33: ARGFest Special with JC Hutchins

Thu, 29 Sep 2011 03:04:35 GMT

Welcome to Transmedia Talk, a podcast covering all things Story. Transmedia Talk is co-hosted by Nick Braccia, Dee Cook, and Haley Moore and looks to shed light on the topic of transmedia storytelling with commentary, interviews and tips on how storytelling is moving into the 21st century. Download | Subscribe with RSS |Subscribe with iTunes Author and transmedia creator J.C. Hutchins joins us as we recap ARGFest-o-Con 2011. Hosts: Nick Braccia from Culture Hacker Dee Cook from Dog Tale Media Haley Moore (and Host Emeritus Robert Pratten from Transmedia Storyteller) Special Guests: J.C. Hutchins, author of Seventh Son and Personal Effects: Dark Art, and keynote speaker at ARGFest. From This Episode: ARGfest Keynote 2011: “Getting To Good” from J.C. Hutchins on Vimeo. JC’s podcast novel Seventh Son, and his transmedia novel Personal Effects: Dark Art with Jordan Weisman. We usually don’t link guests’ twitter feeds, but we’re linking JC’s here since we talked about it quite a bit on the show. The Darkest Puzzle, and Andrea Phillips’ response Awkward Hug’s game The Wisconsin Hustle opened ARGFest for attendees at the opening night cocktail party. JC’s and Violet Blue’s unboxing videos of a handmade scent kit, released earlier this year for Campfire’s experience for Game of Thrones. Our episode featuring Steve Coulson, about the Game of Thrones campaign the Maester’s Path. JC wrote animated videos for Smith and Tinker’s game Nanovor Video games from JC’s rundown include Mass Effect, Dragon Age, God of War, Uncharted, Heavy Rain, and Fable. Rob Jagnow of Lazy 8 Studios, who contributed to the Potato Sack ARG for Portal 2, is in pre-launch for his game Extrasolar Balance of Powers, an extended story from many of the creators of Perplex City, has been funded on Kickstarter. Zombies, Run! by Six to Start and Naomi Alderman, has now raised $50k of its $12k goal, with over a week left open on its campaign. The steampunk comic, theater and film experience Clockwork Watch, created by Yomi Ayeni, is still accepting backers on IndieGoGo. DIY DAYS LA will be held on the UCLA campus on October 28. Tickets are free. Story World Conference will be held in San Diego October 31-November 2.

Man-Child the passion behind the story

Wed, 21 Sep 2011 05:13:03 GMT

The following is a guest post by Koo.

I’m currently crowdfunding my first feature film, and rather than pitch it to you, I’ll first share this “multimedia lookbook” that I put together. My project, a youth basketball feature entitled Man-child, is participating at Independent Film Week in New York this week and I assembled this clip to help producers understand what I’m going for aesthetically with the film. It’s just a combination of clips from other films paired with a voiceover, but it should give you some idea of what I’ll be going for:

Okay, so how did I arrive at this point and why am I making this movie?

After co-directing the “urban western” web series The West Side with Zack Lieberman, we got an agent in LA and attempted to get a larger interactive project made in Hollywood. One lesson we learned in this process: you can spend a lot of time knocking on doors, taking meetings, and putting together pitches and assorted documents. When you set out to be a filmmaker and tell stories that you’re passionate about, however, these aren’t the activities to which you aspire. You’re not getting better as a storyteller because you’re not telling stories.

I knew coming out of that experience that I wanted to tell a story I was personally passionate about, and so I set about researching and writingthe script forMan-child.And if you’re going to crowdfund a film, it has to be a project in which you’re personally invested. Great example: Zak Forsman’s campaign to make a feature about his father. I grew up playing basketball in North Carolina and so the story of Man-childis definitely personal to me.

Why this is a story worth telling

Man-child takes place in the surprisingly high-stakes world of youth basketball. Sometimes referred to as grassroots basketball, the fascinating world (largely unseen by the general public) has been getting younger and younger in its corporatization. Middle schoolers are now nationally ranked and shoe companies sponsor teams and tournaments in an effort to be the first to discover the next Michael Jordan (and sign him to an unwritten contract).

In response to this, in 2009 the NCAA lowered the age limit on who can be considered an official basketball prospect to include 7th graders. They did this in an effort to protect kids from unregulated recruiting.

This world is compelling to me for a number of reasons. We’re talking about kids for whom the sky is the limit, but more often than not they have very little in their lives right now. Thus they (and their families) are more easily won over with offers of money, free shoes, and the other benefits that street agents, coaches, and other hangers-on offer them.

The fact is that the vast majority of talented teenagers will never make it as professional athletes, but it’s more than just a matter of athleticism: it comes down to the decisions they make. These are decisions that few of us have ever had to face, much less at such a young age. This is why I find the world of youth basketball to be so interesting from a dramatist’s perspective: big decisions for little kids.

Why I’m crowdfunding the film

First off, that part about knocking on doors — there’s nothing wrong with trying to get your film funded in a traditional manner. But as someone who’s spent 18 months sharing everything I possibly can about filmmaking on my website NoFilmSchool, I felt if I could get my readers behind the project that it could be a film that’s enabled by a community that actually wants to see the film, as opposed to an executive that thinks the film will be profitable. I want to make a basketball movie about real-world, quiet moments as opposed to big melodramatic set-pieces, and I didn’t feel the Powers That Be would be interested in making the film that I want to see.

Will we make it? I don’t know. The goal is an ambitious $115,000 — sports movies are logistically complex and expensive to make, unfortunately — and there are only a few short days left. Check out my campaign video if you’re interested and good luck with your own personal passion projects!

Koo co-wrote, directed, shot, and edited the “urban western” web series The West Side, which won the Webby Award for Best Drama Series. He is one of Filmmaker Magazine’s 25 New Faces of Film and runs the website NoFilmSchool, which focuses on DIY filmmaking and independent creativity; Man-child will be his first feature.

Wiki documentation, major upgrade

Tue, 20 Sep 2011 13:03:00 GMT

Two 3D World CG 2011 awards for Blender

Wed, 14 Sep 2011 11:32:00 GMT

Transmedia Talk 32: GoBZRK and the Future of Publishing

Mon, 12 Sep 2011 19:43:36 GMT

CONNECTED with Tiffany Shlain

Wed, 07 Sep 2011 16:47:26 GMT

We caught up with Tiffany Shlain as she prepares to release her newest feature, CONNECTED “An Autoblogography about Love, Death and Technology.” A DIY pioneer, Tiffany is always at the forefront of utilizing interesting and innovative ways to reach and engage audiences. Starting next week CONNECTED makes its way to screens nation wide after a successful festival run.

What made you decide to make the film CONNECTED?

Fifteen years ago, I founded The Webby Awards because I was fascinated by how the Internet was connecting people all over the world in new and unexpected ways. And being so interested in the ways things are connected, I it always struck me how so many of the conversations about the problems of our day were discussed as separate challenges. Whether the environment, women’s rights, poverty or social justice, it became more apparent to me that that when you perceive everything as connected, it radically shapes your perspective. The concept of interdependence has been around since the dawn of humanity, but the relatively recent component of the internet has added this new layer that connects us in a fresh way, almost giving the world a new type of central nervous system.

I am a filmmaker and so decided to craft a film that would tell the story of being connected in the 21^st century. I asked my father, Leonard Shlain, to be a co-writer on the project. My dad was a surgeon, but also a pioneer in writing about connections between science, consciousness, the human brain, art and civilization. His best-selling books included The Alphabet Versus the Goddess; Sex, Time, and Power; and Art & Physics. He was an incredible visionary, had a wonderful knowledge of history and I felt he would make an enormous contribution to the film. Just as we began production on CONNECTED, he was diagnosed with brain cancer. I quickly discovered that here I was writing about all these interrelationships and the one great connection I had overlooked was the emotional connection. That’s when I began the difficult process of rewriting the film to include my personal story of connection interwoven into the the bigger story of connection throughout history and where I think we are heading.

The subtitle of CONNECTED is “An Autoblogography about Love, Death and Technology.” What does the word “autoblogography” mean?

“Autoblogography” is a word we made up in order to convey that the film is autobiographical, but also has to do with technology. It also conveys the humor which is a major thread in the movie.

Is there a connection between CONNECTED and your last film THE TRIBE?

In my earlier film, THE TRIBE, I explored American Jewish identity through the history of the Barbie Doll. I know, it sounds absurd. After all, what can the most successful doll on the planet show about being Jewish in American today? It turns out that Barbie was invented in 1959 by an American Jewish businesswoman named Ruth Handler. A Jewish woman created the ultimate shiksa. With THE TRIBE, I wove together archival footage, graphics, animation, humor, and even slam poetry that took audiences on a ride through the complex history of both Barbie and the Jewish people. By revealing all these unique connections, THE TRIBE explored the question of what it means to be an American Jew in the 21st century. CONNECTED employs much of the same collage visual style but explores what it means to be a human in 21st century.

Do you believe there are positives and negatives to technology?

My father loved quoting Sophocles, “Nothing vast enters the life of mortals without a curse.” So, from the beginning of time, every new technology and advancement brought with them a complex mix of positive and negative repercussions as well as unintended consequences. CONNECTED addresses the potential of these new 21^st century technologies, the importance of harnessing their powers, but also covers the ramifications when these new technologies take over and even overwhelm our personal lives.

I’ve started practicing what I call “technology Shabbats” with my family. Every Friday at sundown, our whole family disconnects until Saturday night. No cell phones, no internet, no television, no Ipads. No multi-tasking. We disconnect completely. Or maybe I should say we connect completely – with ourselves and each other.

I am learning that turning off technology is just as powerful as turning it on and that our society needs both. Technology can be so enticing and overwhelming, but we also need to remember how important it is to be fully present with the people you love and also be alone and quiet. The potential of technology globally and personally is exponential, but we need to know where the off switch is and when to shut it down.

So what is the ultimate goal of your film?

The goal of CONNECTED is to launch a global conversation about what it means to be connected in the 21st century. I hope that the film will be the catalyst for this global conversation. In an effort to expand the power of the film, we’ve created a robust website, facebook page where we constantly add new articles about this topic and have created an educator’s kit including conversation cards, a film guide a curriculum for educators.

In the film you say, “For centuries we have declared our independence, perhaps it’s time we finally declare our interdependence.” What does it mean to declare our interdependence?

It’s time to shift perspective. In many ways we as a species are mirroring the way we each develop as a human on this earth. We come into the world completely dependent on our mother’s and parents. As we grow up, we evolve into independent adults, live on our own and get our own jobs and provide for our own families. But this independence then brings us to a new realization of how we are connected with family, friends and community. I think we, as a species are evolving to the point where we are entering this understanding of our interdependence. Who knows if all these tools we are creating for collaborating in new ways through the internet are leading us to this understanding, or the understanding is driving us to create these tools. Technology is just an extension of ourselves. It is not separate. Regardless of what’s propelling it, these living and thinking interdependently will actually change our consciousness and help make real transformation in the world around us.

So you are optimistic about our future?

When I do Q&A’s after screening CONNECTED, I am frequently asked, “What makes you so optimistic?” I respond by saying that I believe in humans and humanity and in our innate ability to change for the better. Look at the end of slavery and apartheid, the women’s rights and civil rights movements, and other political and social transformative movements in the last few hundred years, and you can see how we are indeed evolving. There are two things that make me optimistic. We as humans are curious and we have a deep desire to connect. These two things will make us move us forward to a better place.

You are also spearheading a new project called “Let it Ripple.” What is this and how does this connect to CONNECTED?

The ‘Let it Ripple’ project will pick up where CONNECTED leaves off. We are creating a series of six short films, all tied together by the general theme of connectedness. The first film is A Declaration of Interdependence. My husband, Ken Goldberg, co-writer Sawyer Steele, and I wrote A Declaration of Interdependence, which is based on the American Declaration of Independence. Our new declaration was then posted online on July 4^th and tweeted out via YouTube and we invited people from all over the world to submit video of themselves reading the declaration in their native language from their cell phone, laptop, whatever was handy. We also asked graphic designers and artists to interpret the words creatively and submit artwork. The submissions are blowing me away. It’s interdependence in action. The film will be made up entirely of these submissions, tied together by our animator, Stefan Nadelman, with music by one of my favorite sound artists Moby.

A Declaration of Interdependence will premiere on Interdependence Day which is September 12^th at a special event near Ground Zero in New York. Every time we get an entry, I get chills watching the videos. It is thrilling to see people from all over the world declare their interdependence. We are going to edit it all down into an inspiring 3 minute movie that will be posted on the web and we are going to provide this film for free and allow different organizations and non-profits to use the film by putting their own call to action at the end. We are open-sourcing the creation of the film and hope to open source how it is used.

By sharing these messages of connectedness and interdependence, I believe there will be a positive ripple effect; sparks that help turn what we’re talking about into action. It’s all about connection.

http://connectedthefilm.com/

CONNECTED opens in theaters in major cities beginning in mid-September.

*All dates below start one week runs

SF: Sept 16th SF Landmark Embarcadero
Berkeley Sept 16 Shattuck 10
Marin: Sept 16 Sequoia Theater
Santa Cruz: Sept 23 Nickelodeon
Portland: Sept 23rd Regal Fox Tower 10
LA: Sept 30 premieres at The Pacific Arclight Theater Hollywood
Seattle: Oct 7th Landmark Varsity 3
NYC: Oct 14th Angelika Theater
Denver: Oct 28th Landmark Chez Artiste

Honored by Newsweek as one of the “Women Shaping the 21st Century,” Tiffany Shlain is a filmmaker, artist, founder of The Webby Awards and co-founder of the International Academy of Digital Arts & Sciences. Tiffany’s films and work have received over 40 awards and distinctions. A celebrated thinker, she delivered the commencement address at University of California at Berkeley and is a Henry Crown Fellow of The Aspen Institute. www.tiffanyshlain.com

Blender Conference: submission Suzanne Awards open

Thu, 25 Aug 2011 18:12:00 GMT

Blender Conference: submission Suzanne Awards open

Thu, 25 Aug 2011 18:12:00 GMT