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September 02 2010
RADAR NYC 9.2.10
URDB – World Record Show
“WHEN THIS VIDEO GETS OVER 10,000 VIEWS, BRIAN WILL ATTEMPT THE WORLD RECORD FOR ‘LONGEST TIME TO SPIN THREE PLATES ON FACE WHILE JUGGLING THREE MACHETES AND BALANCING ON A ROLA BOLA.” – URBD
One of the records highlighted by URDB (RADAR Ep4) include most fireballs blown in thirty seconds. This guy is for real, and has a knack for pulling off mind-boggling stunts in front of the camera. It would be a shame for him not to stand in front of a camera, spin plates, juggle machetes, and balance on a rola bola. The internet needs that video, as much as his other antics. Thanks to the great folks at URBD for bringing us Brian Pankey, and tons of other world records.
Whether they like to admit it or not, everyone thinks they can set a world record. People like to believe that they can be that one person that has the largest lip balm collection in the world (a record standing at 415), or that their fro can take more picks than any other for out there (101 for those of you wondering). These are just two of the records that are showcased on The Universal Record Database, a site where people from all over the globe get a chance to showcase their whacky and random talents. Not only do people get their abilities shown to the world, but the world gets a chance to upstage former records and/or create records of their own. Check out their youtube channel, for featured content, or their website, for a large of assortment of people setting records on camera.
Evenings – Free Album!!
We recently featured Evenings on our RADAR music page, but it is imperative to feature him once more because of his recent album release. Evenings’ album North Dorm is actually free to download on behalf Evenings at http://evenings.bandcamp.com/. This album is a low key, well put together, overall nostalgic romp, and it is essential for those that are in tune with relaxing electronic beats and genius use of samples of nature. North Dorm was recorded in and named after by Nathan Broaddus’ in his dorm room at UVA. This album represents elegant lo-fi electronic beats synched and layered delicately to weave an intricate wave of music that washes over the listener. Naturally relaxing and mellow the record flows into your ears nice and cool like a stream into the brain. Evenings is refreshing and accessible. Be sure to check out Evenings’ track Babe, featured in an upcoming Season 4 RADAR episode.
Evenings Free Album: http://evenings.bandcamp.com/
Program or Be Programmed – Douglas Rushkoff
Let’s focus on Douglas Rushkoff’s new book, Program or Be Programmed. Douglas Rushkoff, of techno punk fame, is publishing his ninth work of nonfiction as we speak. For those of you unfamiliar with Rushkoff, his ideas about cyberculture and technology shaped the the landscape of the 90s, and later created a dialogue about the future of the social implications of the computer networks. Unlike Gary Hustwit (read below – FOLLOW) who focuses on the effects that technology has on society, Rushkoff advocates the empowerment of the consumer in matter of programming and software. In his new book, Program or Be Programmed, Rushkoff calls to arms consumers, and asks for them to take power over the way they interact with their computers. Heavy with early references to programming and the changing climate of computer software design, the book decries the power of huge companies over the way computer users interact with technology every day. Rushkoff is the champion for DIY programming and computer software design. He makes a interesting case by pointing out how since the early 90s, fewer and fewer people are creating their own cyber-realities, and more and more people now depend on corporations to create software that dictates use instead of bending to the will of the consumer. For the current times, where DIY is growing as a way of life, this book resonates with those that want a more personalized computer experience. If the name Rushkoff is ringing a bell, think back to any of the three PBS Frontline shows he did (Persuaders, Merchant of Cool, Digital Nation), or his famous books Media Virus or Cyberia and the comic book series, Testament. Take it from a pro…
Pre-order Program or Be Programmed HERE
Watch Rushkoff speak at 2010 SXSW – Program or Be Programmed
Shantell Martin Live with Rad Pony – Album Release Party
Shantell Martin (RADAR Ep26) is no stranger these days. Her psychedelic live visuals are being paired with the rock, and subtly industrial, groove of Rad Pony for their upcoming CD release party. The combination is sure to be breathtaking because of Rad Pony’s sensual singing and combination of downtempo electronic instrumentation. The groups sumptuous, velvety music already has a sound that touches upon other senses, but to see their music enlivened live with crazy designs and lights should make for a great show. There is no alcohol served at this little shindig, but don’t let it discourage you from coming out. An event like this doesn’t really need any uppers, downers, inhalants, or whatever you get from your street corner vendor because it’s already chock-full of spacey music and trippy visuals. You can’t miss this sure to win combination.
Sept 4th 9pm – 12am
Union Pool
484 Union Avenue Brooklyn, NY
$5
with w. Balls to the Wall, Hank and Cupcakes, VJ Shantell Martin and DJ Tikka Malsala (That’s My Jam) and DJ HOTTMOMZ (Anthems).
Event Info
@gary_hustwit
Gary Hustwit is a DIY media machine with twenty years of work behind him in both music and movies. Hustwit has his own indie record label and a filmmaking company, Plexifilm, which has worked on and released more than 40 movies without major financial backers. He has also spent some time creating documentaries that center around indie bands such as Wilco. Obsessed with design and consumerism, Gary Hustwit has produced and directed a few movies concerned with the way people interact with design and products. Hustwit seems to concern himself with the way that design and objects become essential to humans. In his film Objectified, Hutwist explores what makes us addicted to gadgets. In his film Helvetica, he explores how a font became synonymous with simple modernity. Currently, Hustwit is working on his film Urbanized which concerns itself with the layout of cities and the pros and cons of how they are laid out. His twitter feed reflects his interest on the impact that design has on people because it concerns itself with everything from playful airplane graphic to the design of urban sprawl.
Twitter – http://twitter.com/gary_hustwit
Objectified blog – http://www.objectifiedfilm.com/
August 19 2010
RADAR NYC 8.19.10
Jay Shells – “Clean Up After Your Dog”
If we asked what some of you hate most about walking around in the city, chances are stepping in dog excrement would be at the top of most lists. There’s nothing worse than the sight and smell of ruined shoes, especially when they’re new or you’re far away from home. Thankfully, Jay Shells, of Subway Etiquette fame (RADAR 25 – Subway Etiquette), knows your pain. That’s why he’s put up this handy “Clean Up After Your Dog!” poster. While it’s not as clever as his MTA service-change silkscreens, the latest installation is well worth a look (especially for anyone who thinks they can get away with such a devious crime).
Small Black
written by: Alex Holmes

At a time when chill-wave is drifting out of every window in Brooklyn, it can be difficult to set your sound apart. Small Black is one of the bands that has managed to do just that. Their newest album, New Chain, on Jagjaguwar Records is due to hit Oct 26th. We came across Small Black a little while ago and knew we had to get their music into one of our episodes (you can look forward to that later in Season 3). Small Black, though, have been getting into a lot more than just the episode. In fact, we were happy to see that on May 25th Small Black played a show with another of our favorite RADAR contributors, reverb-y duo Javelin (featured in Ep 27, Auto-Tune the News). We recently got to see Small Black’s most recent music video, Bad Lover, and it’s a beautiful, carefully composed video (directed by friend Nick Bentgen), well worth your attention. Check out Bad Lover on Small Black’s website, and then set aside September 17th in your calendar, because the boys of Small Black are coming back to Brooklyn. In the dingy rock and roll hideaway that is Monster Island Basement, Small Black take to the stage with DOM, Total Slacker, and Oberhofer at 8PM. We’ll see you there.
Listen to Small Black’s newest single “Photojournalist” via Pitchfork
Interview with Dan Goldman
In case you hadn’t noticed, we’re pretty big fans of Dan Goldman, featuring him in a RADAR episode (RADAR Ep22 – Red Light Properties) and on the blog. Good news for everyone else who digs Goldman’s and his unique art stylings: The Daily Crosshatch has released an interview with the author/writer that picks his brain and dives into his creativity and influences. A must read, for sure. Also, next Red Light Properties chapter out August 24th with only 2 more chapters – last chapter on Sept 7th! It’s been a fun ride.
Interview Part 1
Interview Part 2
NYCResistor Craft Night
Prepare to clear your nighttime schedule every Thursday because NYC Resistor’s Craft Night is kicking off August 26th. The event is like a creative open mic night for any kind of artist – a night of collaboration where anyone can bring their current art project to work on it in a space of others. According to NYC Resistor, people have worked on knitting, mending, clothing reconstruction, web design, and even robots, so what is and isn’t a craft is totally up to you. If you’re a fan of Makerbot (RADAR Ep19) or Diana Eng’s Fairytale Fashion (RADAR Ep31) – this is where you’ll find them hanging out!
Every Thursday Night – 6pm
NYCResistor Labs
87 3rd Avenue, Brooklyn NY 11217
Event Info
note: if door is locked please call so we can let you in: 917-402-9737
@exitartnyc
While we love featuring the accounts of people we’ve showcased on RADAR before, sometimes it’s just best to post a Twitter feed that delivers the goods: links to some awesome sites. So, in the spirit of cool, we recommend you check out ExitArtNYC, the Twitter of the contemporary art non-profit.
RADAR NYC 8.19.10
Jay Shells – “Clean Up After Your Dog”
If we asked what some of you hate most about walking around in the city, chances are stepping in dog excrement would be at the top of most lists. There’s nothing worse than the sight and smell of ruined shoes, especially when they’re new or you’re far away from home. Thankfully, Jay Shells, of Subway Etiquette fame (RADAR 25 – Subway Etiquette), knows your pain. That’s why he’s put up this handy “Clean Up After Your Dog!” poster. While it’s not as clever as his MTA service-change silkscreens, the latest installation is well worth a look (especially for anyone who thinks they can get away with such a devious crime).
Small Black
written by: Alex Holmes

At a time when chill-wave is drifting out of every window in Brooklyn, it can be difficult to set your sound apart. Small Black is one of the bands that has managed to do just that. Their newest album, New Chain, on Jagjaguwar Records is due to hit Oct 26th. We came across Small Black a little while ago and knew we had to get their music into one of our episodes (you can look forward to that later in Season 3). Small Black, though, have been getting into a lot more than just the episode. In fact, we were happy to see that on May 25th Small Black played a show with another of our favorite RADAR contributors, reverb-y duo Javelin (featured in Ep 27, Auto-Tune the News). We recently got to see Small Black’s most recent music video, Bad Lover, and it’s a beautiful, carefully composed video (directed by friend Nick Bentgen), well worth your attention. Check out Bad Lover on Small Black’s website, and then set aside September 17th in your calendar, because the boys of Small Black are coming back to Brooklyn. In the dingy rock and roll hideaway that is Monster Island Basement, Small Black take to the stage with DOM, Total Slacker, and Oberhofer at 8PM. We’ll see you there.
Listen to Small Black’s newest single “Photojournalist” via Pitchfork
Interview with Dan Goldman
In case you hadn’t noticed, we’re pretty big fans of Dan Goldman, featuring him in a RADAR episode (RADAR Ep22 – Red Light Properties) and on the blog. Good news for everyone else who digs Goldman’s and his unique art stylings: The Daily Crosshatch has released an interview with the author/writer that picks his brain and dives into his creativity and influences. A must read, for sure. Also, next Red Light Properties chapter out August 24th with only 2 more chapters – last chapter on Sept 7th! It’s been a fun ride.
Interview Part 1
Interview Part 2
NYCResistor Craft Night
Prepare to clear your nighttime schedule every Thursday because NYC Resistor’s Craft Night is kicking off August 26th. The event is like a creative open mic night for any kind of artist – a night of collaboration where anyone can bring their current art project to work on it in a space of others. According to NYC Resistor, people have worked on knitting, mending, clothing reconstruction, web design, and even robots, so what is and isn’t a craft is totally up to you. If you’re a fan of Makerbot (RADAR Ep19) or Diana Eng’s Fairytale Fashion (RADAR Ep31) – this is where you’ll find them hanging out!
Every Thursday Night – 6pm
NYCResistor Labs
87 3rd Avenue, Brooklyn NY 11217
Event Info
note: if door is locked please call so we can let you in: 917-402-9737
@exitartnyc
While we love featuring the accounts of people we’ve showcased on RADAR before, sometimes it’s just best to post a Twitter feed that delivers the goods: links to some awesome sites. So, in the spirit of cool, we recommend you check out ExitArtNYC, the Twitter of the contemporary art non-profit.
August 13 2010
RADAR NYC 8.13.10
Story Pirates – Tickle Monsters Are Robots
Check out the “Tickle Monsters Are Robots!!!!,” video from Story Pirates, who were featured in our latest RADAR episode (RADAR 30 – Story Pirates). There are many children’s entertainers out there, but none are quite like these guys, who actually draw their material from the children themselves. They go to schools, have children write creative stories, then the Story Pirates turn the stories into songs, and make a show out of it. The Story Pirates’ goal is to show kids what wonderful things can come from their very own unique ideas, which they hope will motivate kids to write more and to be more creative. This, along with their all-inclusive approach, which is aimed at focusing more on those who are not necessarily the best writers and are not always in the spotlight, makes Story Pirates not only creative and pretty hilarious, but also inspiration and respectable. Check out the video for their song “Tickle Monsters Are Robots!!!!” This is not only interesting and entertaining for all of us to watch from a creative perspective, but if you have kids (or maybe you’re a babysitter?) chances are they’ll be totally into this as well.
Au Revoir Simone
Are you a fan of Au Revoir Simone? Or do you not know who they are but loved the song from our Before I Die episode? Well, that’s them! And if you’re like us and can’t get enough of this Brooklyn-based trio, you’re in luck, because they’re about to release a new remix album of their 2009 album, Night Light. The remastered will feature mixes by Neon Indian, Jens Lekman, The Dirty Projectors’ Angel Deradoorian, Tanlines, and more. Check out Sentimentalist for more info on the album, and dates for their upcoming tour.
Listen / Purchase – Au Revoir Simone’s music
Nofilmschool – DIY Filmmaking blog
Interested in independent filmmaking, or in D.I.Y. art in general? Check out http://nofilmschool.com/, where Ryan Koo blogs about various tools, strategies, events and equipment that could come in handy for talented creative people who opt not to take the film school route. He talks about being rejected by the studio system despite his obvious talent, and explains why this model is outdated, and often a dead end, for filmmakers trying to break in nowadays. In his NoFilmSchoolManifesto, he writes, “I’m sure some people are going to think, ‘you’re only going the DIY route because you can’t make it in Hollywood!’ My goal with NoFilmSchool is to prove them wrong.” This site is in many ways similar, if not complimentary, to last week’s post about Brian Newman’s talk about reinventing innovation. The site specifically focuses on filmmakers, but it can definitely be of use to any creative person looking to build a career out of independent work.
Side note: Ryan Koo & Zack Lieberman also directed two RADAR episodes, Google Maps Road Trip and Undetermined Measurements.
SLAM theater – PLAYS
Remember our Season 1 episode on Slam Theater (RADAR 05)? If you need a refresher, this innovative group uses the model of a poetry slam and translates it to playwriting. Think of it as a workshop meets a cold read audition meets a total adrenaline rush for anyone brave enough to endure it. As Stephania Vanin, one of the producers, puts it, SLAMS are, “evenings of theater in creation, where everyone who comes through the door becomes a participant.” In other words, the actors, the playwrights, and even the audience members, play a vital role in the evolution and overall experience of the pieces. The purpose of the SLAM is not only for entertainment, but to foster community, and to ultimately make everyone better at the work that they’re passionate about. Interested in finding out more or even attending a SLAM? Check out their Facebook page for updates on new SLAMS, and also on the progress of playwrights whose plays have been previously Slammed.
SLAM winner play currently showing:
The Former Waitress by Ryan Britt
August 12, 13, 14 9:30 – 10:30p
Upstairs at The Tank
354 West 45th Street
Event Info
@autotunethenews
Chances are you’ve heard of these guys by now. They’re getting pretty huge. Some of their newest work, Double Rainbow and Bed Intruder, have gone to the top of the charts on iTunes. For more on what they’re all about and what their latest Autotune the News projects will entail, be sure to follow them on Twitter! Also, make sure to check out our episode featuring this talented bunch (RADAR 27 – ATTN)
http://twitter.com/autotunethenews
August 05 2010
RADAR NYC 8.5.10
Brian Newman – Reinventing Innovation
A few months ago, Brian Newman (former CEO of Tribecca Film Institute and founder of SpringBoard Media) gave a talk on innovation within the media space. We featured the video of the talk in DIY Days on April 25, 2010. In this hilarious and extremely insightful speech, Brian talks about the future of media and what we as artists can do to shape it. He laments the fact that at every single panel about film and new media that he’s attended, all people seem to talk about is distribution. “Where’s the innovation?” He asks, “Why isn’t anyone talking about true innovation?” He discusses new forms of storytelling, and explains that it makes no sense for us to take these new world technologies we have and trying to fit them into this old world way of thinking. He proposes strategies for innovation by going back historically and looking at where the arts have found it in the past when new technology has come along, and outlines what has worked. He meniones Monet’s impressionism (made possible by new paint technology – I know, sounds funny, right?), and the invention of the typewriter, which led to surrealism, and then applies it to today. Quoting Alan Kay (“The best way to predict the future is to invent it.”), Brian gives no concrete formula for creating the future; just suggests that we apply what’s worked in the past to today, to our work, to our innovation. He provides extremely useful insight, and this video is definitely work taking a look at for anyone who is an artist and is looking to be legitimately inspired.
Bear Hands – “What a Drag”
Check out “What a Drag” music video by Bear Hands, which we used in an upcoming season 4 episode. It sounds slightly reminiscent of Float On my Modest Mouse, but updated, and with higher, more echo-y vocals. And the music video is great for anyone who’s a fan of Fiddler on the Roof/ Heidi/ anything by Michel Gondry. Confused? See for yourself!
Listen / Purchase – Bear Hand’s music
Get Storied – Branding Yourself
Do you consider yourself a storyteller? Do you think you have a unique voice that nobody else can replicate? Do you have no idea what to do with it? In his blog, “Get Storied,” Michael Margolis talks about brand storytelling and branding yourself, with blog posts and podcasts. Worth checking out for anyone interested in branding, social media, and storytelling (and chances are, if you’re already reading this, you are!)
Cut and Paste – Competition Registration
Are you a designer? Check out http://cutandpaste.com/tours/forms/competitors/ and register to compete in Cut&Paste’s annual design competition. Think Iron Chef, but for design and much more “street”. Watch our RADAR episode on Cut and Paste to see what this competition is all about. Hurry! The deadline for submissions is September 10th.
Register here by Sept 10th
@kevinbracken
Into flash mobs? So are we! Check out Kevin Bracken, creator of Newmindspace (RADAR 10 – Newmindspace), which has put on several flash mob events around the city, including bubble battles, LED light saber battles, blanket fort parties, and pillow fights (http://www.newmindspace.com/pillowfightnyc.php). Follow him on Twitter to see what he’s up to next.
http://twitter.com/kevinbracken
July 29 2010
WorkBook Project Award 2010 Winner
This past winter we continued a tradition that started with the From Here to Awesome experiment, a “day and date” festival concept that helped 22 films reach theaters, living rooms and viewer’s computers in 2008. The WorkBook Project Discovery and Distribution Award gives a filmmaker an amazing prize consisting of a week long theatrical run in LA with social media, street team and PR support. A run where the filmmaker keeps the box office and we help to pull together the independent community in an effort to drive awareness around the film.
Over a 100 films were submitted and today we’re thrilled to announce that One Hundred Mornings is the winner of the 2010 WBPAward for film. The theatrical release will kick off Sept 16th at the Downtown Independent Theater.

About the film
Set in a world upended by a complete breakdown of society, two couples hide out in a lakeside cabin hoping to survive the crisis. As resources run low and external threats increase, they forge an uneasy alliance with their self-sufficient hippie neighbour. With no news from the outside world they can’t know how long they must endure living in such close quarters, and with such limited supplies.
Unspoken animosity fills the air, and a suspected affair is driving a wedge between them all. Poorly equipped to cope in a world without technology and saddled with completely conflicting worldviews, everything begins to disintegrate. Finally, each of them faces a critical decision they never thought they’d have to make. For more information on the film visit www.onehundredmornings.com
SPECIAL THANKS to all those who submitted their films, to our peer and industry jury (Ted Hope, Scott Macaulay and Anne Thompson) and to our partners! 20 other films received a digital distro package thanks to IndieFlix that will help to place them on various digital, VOD, and distribution platforms. And CineFist and Cinema Speakeasy will be helping on the ground in LA.
July 25 2010
PULSE – Boogie
BOOGIE
Boogie is a Serbian born photographer who emigrated to the United States in 1998. He lives and works in Brooklyn, NY. With an effortless but honest “shoot first, ask later” approach and nimble timing, he captures the moments that transform a split second opportunity into a decisive photograph.

Boogie has the grace of a documentarian and little heed for comfort zones. In characteristically gritty black and white film, he catalogues poverty, civil war, and urban decay. He arrests us with the bleaker aspects of the human condition and the social taboos we may often ignore.
Rather than gloss over his subject, he pulls the viewer in. Unflinching and fearless in style, his photographic presence poses a sharp contrast to the vulnerability and intimacy of the portraits he creates.
At its lighter moments, his work points to the wry visual coincidences of cities with millions of people, places, and things– taking cues from found text, discarded trash, or birds in flight.
Seeing his work is a glimpse into nearly a decade and a half on the fringes of life happening all around us. You can check out more of his work at www.artcoup.com, where you can also find information about his five published books.
Auto-tune The News – RADAR S3 ep 27 [vid]
Started by Michael, Evan, Andrew and Sarah Gregory, Auto-Tune the News takes video clips of Politicians, Pundits, and Newscasters. The dialog of the clips is then Auto-Tuned transforming spoken word into singing. The goal of the project, is to not only add some humor to these normally dry, antiseptic broadcasts, but to make the information delivered fun and understandable to a younger generation, dare we call them, the Auto-Tune generation. In a time when technology can be manipulated to make the impossible a reality, as well as becoming an industry main-stay, this new form of audio filtering can make the worst of singers stay in key, but it can even make CNN fun.
Relevant sites:
http://www.youtube.com/user/schmoyoho
Credits:
CREATED by Lance Weiler & Alex Johnson
DIRECTOR Josh Cramer
DP Lance Kaplan
EDITOR Jawad Metni
SERIES PRODUCER Josh Cramer
SEGMENT PRODUCER Janine Saunders
TITLE SEQUENCE Jordan Gray
POST PRODUCTION House of Trim
ADDITIONAL MUSIC by:
Javelin “Vibrationz”
The Gregory Brothers
July 21 2010
Auto-tune The News – RADAR S3 ep 27 [vid]
Started by Michael, Evan, Andrew and Sarah Gregory, Auto-Tune the News takes video clips of Politicians, Pundits, and Newscasters. The dialog of the clips is then Auto-Tuned transforming spoken word into singing. The goal of the project, is to not only add some humor to these normally dry, antiseptic broadcasts, but to make the information delivered fun and understandable to a younger generation, dare we call them, the Auto-Tune generation. In a time when technology can be manipulated to make the impossible a reality, as well as becoming an industry main-stay, this new form of audio filtering can make the worst of singers stay in key, but it can even make CNN fun.
Relevant sites:
http://www.youtube.com/user/schmoyoho
Credits:
CREATED by Lance Weiler & Alex Johnson
DIRECTOR Josh Cramer
DP Lance Kaplan
EDITOR Jawad Metni
SERIES PRODUCER Josh Cramer
SEGMENT PRODUCER Janine Saunders
TITLE SEQUENCE Jordan Gray
POST PRODUCTION House of Trim
ADDITIONAL MUSIC by:
Javelin “Vibrationz”
The Gregory Brothers
April 08 2010
Reflecting upon the DIY DAYS NYC Startup Incubator
Some time shortly after Sundance ‘10 we were fortunate enough to be asked by Mr Lance Weiler of the Workbook Project, Head Trauma and many other notable projects to take part the DIY DAYS NYC Startup Incubator.
DIY DAYS is a roving series of conferences for those who create and it’s part ofthe WorkBook Project an open resource created by Lance to support the community. The purpose of the incubator was to subject OpenIndie to the scrutiny of a room full of experts in various fields relevant to our business and what we’re trying to do. During a four hour process the group discusses various salient issues and then produce a presentation or pitch to be delivered to the conference attendees at the end of the day. Arin and I jumped at the chance to put OpenIndie under the nose of such respected folks in the industry for such a concentrated amount of time and the process began.
In the week leading up to the conference neither of us knew exactly what to expect but Lance kindly set up a Skype call with Matt Johnston of Kinetic Fin who was our Entrepreneur In Residence and facilitated the conversation on the day. He immediately set Arin and I at ease and got us really excited about the potential for the day. In just a one hour conversation Matt equipped us with a shared metaphor for how to think about what we were trying to achieve, drew out of us some key issues we wanted to address and gave us really valuable feedback about the challenges that he felt were ahead of us.
As I am based in the UK I Skyped into the conference on the day. I initially thought this would be fine as Arin and I are used to Skyping all our conversations. However, as the day went on the Skype situation became increasingly frustrating from my point of view. While I felt I had a great deal to contribute to the conversation the Skype lag caused me to start talking and discover I was interrupting someone. I also got the impression that the folks in the incubator found it hard to understand what I was saying due to the distortion. As a result of these issues I didn’t personally feel like I was as useful as I could have been and this was really frustrating. However, that shouldn’t reflect negatively in any way upon either the folks taking part in the incubator or the people organising DIY DAYS, it was something that always had the potential to be a problem.
The day began with Matt laying out the format for how we’d proceed and everyone introducing themselves. Our group of experts was made up of:
Matt Johnston – Entrepreneur In Residence (COO at Kinetic Fin)
Karol Martesko – Film Industry Expert (SVP / General Manager at Babelgum Film)
Brian Newman – Business Development (Founder at Sub-Genre and former CEO of Tribeca Film Institute)
Joseph Williams – Design
Bradley Farrell – Branding (CEO at Kinetic Fin)
Karin Chien – Producer / Distributor (The Exploding Girl (2009))
I’m sure you’ll agree this is a formidable team of experts and I for one was really nervous about the potential feedback they were going to have about OpenIndie. I can say, again from my perspective, that the feedback and discussion was incredibly constructive and while the process could have turned into a group of industry experts picking holes in a new platform that didn’t happen at all. This was partly down to the fantastic people Lance and his team had found to help us but also because whenever someone criticised it was always constructive. Nobody said “this sucks” or “you’re kidding yourselves” arguments were reasoned and based on years of experience.
In short, the group’s feedback was incredible and I would go as far as to say that the process has been totally transformative for OpenIndie. Some key takeaways from the day were that we need to improve our messaging, we’re not yet effectively explaining, clearly and concisely, what it is we do and how we do it. Our filmmaker bias was also very evident. This, in some respects, is natural because Arin is a filmmaker and our source of financial support has come from filmmakers. However, we need to reorientate the business to focus upon to the audience requesting films and the hosts organising screenings. This isn’t to say that the filmmakers aren’t vitally important but the focus upon generating an audience and screenings will benefit the filmmakers most in the long-term.
We were also challenged about our $100 per film per year fee and some good discussions came out of the suggestion to open the site to all for free or to curate the films on the site. Right now that $100 a year is our only source of revenue and is paying our hosting costs etc. However, all three options are still on the table and you will know as soon as we do about how we plan to proceed. The decision we make on this topic will depend greatly upon the level of success we have in the search for investment.
The day ended with Arin giving a fantastic presentation that Matt and Joseph helped us put together. It was impressive to see how Matt took the salient points from our discussions and drew them together with us into a presentation that was incredibly successful. At one point Arin had the whole audience on their feet shouting “I’M AS MAD AS HELL AND I’M NOT GOING TO TAKE IT ANYMORE” a phrase made famous by the 1976 film Network and repurposed by us in our fundraising campaign in November last year.
Upon reflection, I think the day broke us down and built us up again. It drew out of us our biases that were clearly holding us back in many respects. It made us rethink our business model and reevaluate the decisions we’d made. It enabled us to compare OpenIndie to businesses that we would never have drawn comparison with previously. And, it brought to our attention an entire world of potential competitors that we hadn’t considered in our planning. I think the term transformative is very apt, we aren’t the OpenIndie that went into the DIY DAYS Incubator. We’re more knowledgeable, refocused and have a better understanding of our priorities moving forward.
We would like to thank Lance for this incredible opportunity and his entire team at DIY DAYS NYC for volunteering and making this vitally important event possible. Finally, we would like to thank Matt, Brad, Karol, Brian, Joseph and Karin for your time, your knowledge, your support and your incredibly constructive criticism. We’re very fortunate to have been afforded this opportunity.
We’re seriously excited about the future of OpenIndie and the potential for this platform. We hope you guys are too!
Kieran Masterton
OpenIndie Co-Founder
Photo credit: Raffi Asdourian - “Packed Audience for Openindie”
Next Generation Audience Engagement at MIPTV
April 05 2010
It Takes a Community
In a little more than a year and half we’ve held 6 DIY DAYS events (LA-twice, Boston, San Francisco, Philadelphia and New York). All of these events have been made possible thanks to a community. A community of passionate people who have been willing to give their time and talents and as a result we’ve been able to hold a series of quality events that are FREE for those who attend.
DIY DAYS NYC was a turning point for us. The community that we’ve supported for the last 3 1/2 years via the WorkBook Project came through in a big way when a sponsor for the event stepped away at the last moment. In less than 36 hours via an indiegogo campaign we raised $4,600. And THANKS to the community DIY DAYS NYC became a reality.
This past Saturday in NYC we held our largest DIY DAYS event to date. Close to 400 people attended the event which consisted of 30+ speakers, 27 sessions and a brand new addition called Incubator.
The DIY DAYS Incubator was an exciting experiment that enabled two media startups (openindie and gigaplx) to kick the tires on their biz models with the assistance of experts from various industries. The final presentations to the conference attendees were exciting and they seem to already be baring fruits.
Over the coming days we’ll be starting to release the videos that were shot at the event as open media for all to embed and spread.
We want to hear from you
If you happened to shot video, record audio, snap pictures or intend to share thoughts on the event we’d love to see, hear and read what you’ve documented.
Erin from Briefly Noted
The creative collective behind yesterday’s DIY Days, an open think tank for content creators, has requested that attendees pay it forward by sharing insights and knowledge from the day with our community. I’m happy to oblige.
On the table, we talked transmedia and social media storytelling, strategies for innovation and personal branding. We rose up and screamed “we’re mad as hell and we’re not going to take it anymore!” (a queue from Network) in response to the sad state of the industry for artists, and we were introduced to new models from OpenIndie and GigaPix (site in development) that could very well change everything for filmmakers and musicians.
Angela from MediaRights
On Saturday, Ashley, Jolene, Felix and I attended DIY Days, a roving conference for creative folks brought to you by the Workbook Project.
My favorite workshop was “The Real You: Personal Branding, Social Media & Storytelling.” It was by run by Michael Margolis, the founder of Get Storied—a publishing, education, and consulting company. His talk was pretty inspiring. Other workshops provided more concrete tools through successful case studies but in the end, you have to be in the right mindset to embrace all of the various opportunities out there.
Guy from Loudpoet.com
You might think that after three months of attending multiple publishing and technology conferences — not to mention enduring weeks of Applings (Apple Lemmings, as Forrester’s James McQuivey calls them) bleating about the Rapture of the iPad — that I might be a bit burned out on talking about doing things and want to get back to actually doing things. As Wendig so perfectly put it, be “inspired to Make Shit and Make It Awesome”.
NEXT STOP LA
With invites pouring in to take DIY DAYS to other cities around the world. We’re focused on our next stop which will be LA this coming fall. If you’re interested in lending a hand or have a suggestion for a speaker or topic of discussion please let us know.
It Takes a Community
In a little more than a year and half we’ve held 6 DIY DAYS events (LA-twice, Boston, San Francisco, Philadelphia and New York). All of these events have been made possible thanks to a community. A community of passionate people who have been willing to give their time and talents and as a result we’ve been able to hold a series of quality events that are FREE for those who attend.
DIY DAYS NYC was a turning point for us. The community that we’ve supported for the last 3 1/2 years via the WorkBook Project came through in a big way when a sponsor for the event stepped away at the last moment. In less than 36 hours via an indiegogo campaign we raised $4,600. And THANKS to the community DIY DAYS NYC became a reality.
This past Saturday in NYC we held our largest DIY DAYS event to date. Close to 400 people attended the event which consisted of 30+ speakers, 27 sessions and a brand new addition called Incubator.
The DIY DAYS Incubator was an exciting experiment that enabled two media startups (openindie and gigaplx) to kick the tires on their biz models with the assistance of experts from various industries. The final presentations to the conference attendees were exciting and they seem to already be baring fruits.
Over the coming days we’ll be starting to release the videos that were shot at the event as open media for all to embed and spread.
We want to hear from you
If you happened to shot video, record audio, snap pictures or intend to share thoughts on the event we’d love to see, hear and read what you’ve documented.
Erin from Briefly Noted
The creative collective behind yesterday’s DIY Days, an open think tank for content creators, has requested that attendees pay it forward by sharing insights and knowledge from the day with our community. I’m happy to oblige.
On the table, we talked transmedia and social media storytelling, strategies for innovation and personal branding. We rose up and screamed “we’re mad as hell and we’re not going to take it anymore!” (a queue from Network) in response to the sad state of the industry for artists, and we were introduced to new models from OpenIndie and GigaPix (site in development) that could very well change everything for filmmakers and musicians.
Angela from MediaRights
On Saturday, Ashley, Jolene, Felix and I attended DIY Days, a roving conference for creative folks brought to you by the Workbook Project.
My favorite workshop was “The Real You: Personal Branding, Social Media & Storytelling.” It was by run by Michael Margolis, the founder of Get Storied—a publishing, education, and consulting company. His talk was pretty inspiring. Other workshops provided more concrete tools through successful case studies but in the end, you have to be in the right mindset to embrace all of the various opportunities out there.
Guy from Loudpoet.com
You might think that after three months of attending multiple publishing and technology conferences — not to mention enduring weeks of Applings (Apple Lemmings, as Forrester’s James McQuivey calls them) bleating about the Rapture of the iPad — that I might be a bit burned out on talking about doing things and want to get back to actually doing things. As Wendig so perfectly put it, be “inspired to Make Shit and Make It Awesome”.
NEXT STOP LA
With invites pouring in to take DIY DAYS to other cities around the world. We’re focused on our next stop which will be LA this coming fall. If you’re interested in lending a hand or have a suggestion for a speaker or topic of discussion please let us know.
March 25 2010
DIY DAYS NYC schedule
DIY DAYS NYC
30+ speakers
8 workshops
11 talks
2 think tanks
23 open sessions
***ALL FREE
FULL PROGRAM DESCRIPTIONS COMING SOON
SATURDAY APRIL 3rd
9:30 AM to 10:10 AM
Registration
WOLLMAN HALL
10:10 to 10:15
Opening remarks
10:20 to 10:40
Opening Keynote – TED HOPE
10:45 to 11:05
A Look at Innovation – BRIAN NEWMAN
11:10 to 11:40
Transmedia Storytelling – JEFF GOMEZ
11:45 to 12:05
Connected Toys – MICHAEL LAST and THERESA LOONG
12:05 to 12:25
Universal Record Database – DAN ROLLMAN
12:25 to 12:35
OPEN SESSION what are you working on what do you need ? 1 minute x 10 people
Conference attendees are given 60 seconds to present a project and express what they need to make it happen. These slots are LIMITED and will be available on a first come first serve basis. Interested parties will be able to sign up for a slot when registration opens at 9:30.
12:35 to 1:15
LUNCH BREAK
1:20 to 1:40
Fireside chat about the Future of Publishing – CYNDI STIVERS and SREE SREENIVASAN
1:45 to 2:05
Found Stories – JASON BITNER
2:10 to 2:30
DIY EMPIRE how a little art class took over the world – MOLLY CRABAPPLE
2:35 to 2:45
OPEN SESSION what are you working on what do you need ? 1 minute x 10 people
Conference attendees are given 60 seconds to present a project and express what they need to make it happen. These slots are LIMITED and will be available on a first come first serve basis. Interested parties will be able to sign up for a slot when registration opens at 9:30.
2:45 to 3:05
MakerBot – BRE PETTIS
3:10 to 3:40
Future of Music – JESSE VON DOOM and BRIAN McTEAR
3:40 to 4:00
Through a Lens Darkly – THOMAS ALLEN HARRIS
4:00 to 5:00
DIY DAYS Incubator Pitches
Two media startups will make presentations in front of a live audience that detail their vision, business models and goals.
INCUBATOR
11:30 to 3:30
Two media Startups meet with experts from various industries to think thank their models and to craft presentations which will be made to those attending the conference at the end of the day.
WORKSHOP ROOM #1
11:30 to 12:30
How to create an app – NOAH HARLAN
12:30 to 1:15
LUNCH BREAK
1:15 to 2:00
Augmented Reality and Geolocational Storytelling – BRIAN CHIRLS
2:00 to 2:30
OPEN SESSION – 3 x 10 minute talks
DO YOU HAVE A CONCEPT FOR A 10 MINUTE TALK?
We’re looking for three conference attendees who’d like to share something they’re working on, something they think will help others, and something that will be an interesting topic of discussion.
Those interested should email us at work [@] workbookproject [dot] com with the subject “open session.”
2:35 to 3:10
How to develop story around a game – CHUCK WENDIG
3:10 to 4:10
How to design for transmedia – ANITA ONDINE and DAVID BEARD
WORKSHOP ROOM #2
11:15 to 12:15
The Real You: Personal Branding, Social Media and Storytelling – MICHAEL MARGOLIS
12:30 to 1:15
LUNCH BREAK
1:15 to 2:15
Social Media for Storytellers – LESLIE POSTON and AMY GREENLAW
2:20 to 3:15
Social Change How to Mobilize Audiences – SCOTT BEIBIN and LIZ COLE
3:20 to 4:10
RADAR creating online / offline experiences – ALEX JOHNSON, JANINE SANDERS and JOSH CRAMER
March 24 2010
DIY DAYS NYC schedule
DIY DAYS NYC
30+ speakers
8 workshops
11 talks
2 think tanks
23 open sessions
***ALL FREE
FULL PROGRAM DESCRIPTIONS COMING SOON
SATURDAY APRIL 3rd
9:30 AM to 10:10 AM
Registration
WOLLMAN HALL
10:10 to 10:15
Opening remarks
10:20 to 10:40
Opening Keynote – TED HOPE
10:45 to 11:05
A Look at Innovation – BRIAN NEWMAN
11:10 to 11:40
Transmedia Storytelling – JEFF GOMEZ
11:45 to 12:05
Connected Toys – MICHAEL LAST and THERESA LOONG
12:05 to 12:25
Universal Record Database – DAN ROLLMAN
12:25 to 12:35
OPEN SESSION what are you working on what do you need ? 1 minute x 10 people
Conference attendees are given 60 seconds to present a project and express what they need to make it happen. These slots are LIMITED and will be available on a first come first serve basis. Interested parties will be able to sign up for a slot when registration opens at 9:30.
12:35 to 1:15
LUNCH BREAK
1:20 to 1:40
Fireside chat about the Future of Publishing – CYNDI STIVERS and SREE SREENIVASAN
1:45 to 2:05
Found Stories – JASON BITNER
2:10 to 2:30
DIY EMPIRE how a little art class took over the world – MOLLY CRABAPPLE
2:35 to 2:45
OPEN SESSION what are you working on what do you need ? 1 minute x 10 people
Conference attendees are given 60 seconds to present a project and express what they need to make it happen. These slots are LIMITED and will be available on a first come first serve basis. Interested parties will be able to sign up for a slot when registration opens at 9:30.
2:45 to 3:05
MakerBot – BRE PETTIS
3:10 to 3:40
Future of Music – JESSE VON DOOM and BRIAN McTEAR
3:40 to 4:00
Through a Lens Darkly – THOMAS ALLEN HARRIS
4:00 to 5:00
DIY DAYS Incubator Pitches
Two media startups will make presentations in front of a live audience that detail their vision, business models and goals.
INCUBATOR
11:30 to 3:30
Two media Startups meet with experts from various industries to think thank their models and to craft presentations which will be made to those attending the conference at the end of the day.
WORKSHOP ROOM #1
11:30 to 12:30
How to create an app – NOAH HARLAN
12:30 to 1:15
LUNCH BREAK
1:15 to 2:00
Augmented Reality and Geolocational Storytelling – BRIAN CHIRLS
2:00 to 2:30
OPEN SESSION – 3 x 10 minute talks
DO YOU HAVE A CONCEPT FOR A 10 MINUTE TALK?
We’re looking for three conference attendees who’d like to share something they’re working on, something they think will help others, and something that will be an interesting topic of discussion.
Those interested should email us at work [@] workbookproject [dot] com with the subject “open session.”
2:35 to 3:10
How to develop story around a game – CHUCK WENDIG
3:10 to 4:10
How to design for transmedia – ANITA ONDINE and DAVID BEARD
WORKSHOP ROOM #2
11:15 to 12:15
The Real You: Personal Branding, Social Media and Storytelling – MICHAEL MARGOLIS
12:30 to 1:15
LUNCH BREAK
1:15 to 2:15
Social Media for Storytellers – LESLIE POSTON and AMY GREENLAW
2:20 to 3:15
Social Change How to Mobilize Audiences – SCOTT BEIBIN and LIZ COLE
3:20 to 4:10
RADAR creating online / offline experiences – ALEX JOHNSON, JANINE SANDERS and JOSH CRAMER
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